History of Mandala Art

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A Brief History of Mandalas

Siddhartha Gautama, the founder of Buddhism, was born in the region now known as Nepal. Though there is no confirmed date of his birth, historians believe it to be around 560 B.C. It is understood that Gautama left his kingdom after becoming aware of human suffering, where he sought to attain enlightenment through meditation and thoughtful action. He began to preach his philosophy across parts of India, where he gained devout followers and eventually established the first sangha, Buddhist community of monks.

As these Buddhist monks travelled the Silk Road, an ancient network of trade routes that connected the East and West, they brought Buddhism to other lands. They carried mandalas with them and brought the practice of painting these spiritual compositions to other parts of Asia, appearing in regions such as Tibet, China, and Japan by the 4th century. Though rooted in Buddhism, mandalas soon became present in Hinduism and other religious practices. Painters of the spiritual craft were often pious laymen, who were commissioned by a patron. They worked seated on the floor with a painting propped in their laps or in front of their crossed legs.

Types of Mandalas

There are various types of mandalas found in different cultures and used for a multitude of purposes, both artistically and spiritually. Below are three main types of mandalas and how they are used.

1. Teaching Mandala
Teaching mandalas are symbolic, and each shape, line, and color represents a different aspect of a philosophical or religious system. The student creates his or her own mandala based on principles of design and construction, projecting a visual symbolization of everything they have learned. Teaching mandalas serve as colorful, mental maps for their creators.

2. Healing Mandala
Healing mandalas are more intuitive than teaching mandalas, and they are made for the purpose of meditation. Healing mandalas are intended to deliver wisdom, evoke feelings of calm, and channel focus and concentration.

3. Sand Mandala
Buddhist monks and Navajo cultures have long used sand mandalas as a traditional, religious element. These intricate designs use a variety of symbols made from colored sand that represent the impermanence of human life.

Symbolism in Mandalas

Chakrasamvara mandala. Sold for $4,750 via Bonhams (June 2016).

Within their intricate circular patterns, you can find common symbols throughout mandalas. Traditionally, they include the presence of Buddha’s mind in an abstract form, most commonly represented as a wheel, tree, flower, or jewel. The center is a dot, which is a symbol considered free of dimensions. It is interpreted as the starting point, the beginning of contemplation, and devotion to the divine. From there, the dot is surrounded by lines and geometrical patterns that symbolize the universe, encompassed by the outer circle which represents the cyclical nature of life. Some common symbols within the mandala include:

  • Wheel with eight spokes: The circular nature of a wheel works as an artistic representation of a perfect universe. The eight spokes represent the Eightfold Path of Buddhism, a summary of practices that lead to liberation and rebirth.
  • Bell: Bells represent an openness and emptying of the mind to allow the entrance of wisdom and clarity.
  • Triangle: When facing upward, triangles represent action and energy, and when facing downward, they represent creativity and the pursuit of knowledge.
  • Lotus flower: A sacred symbol in Buddhism, the symmetry of a lotus depicts balance. As a lotus reaches up from underwater into the light, so too does a human reaching for spiritual awakening and enlightenment.
  • Sun: A popular basis for modern mandala patterns, suns tend to represent the universe, often carrying meanings related to life and energy.

How Mandalas Are Used

Mandalas are used for a variety of religious traditions, meditation, and modern contexts. The traditional Tibetan mandala, found in Buddhism, depicts the enlightened state of Buddha through sand art. Patterns are formed on the ground using metal and a small tube to create the exact texture and organization of the grains. Creating this can take weeks, and shortly after it’s complete, it is destroyed to align with the Buddhist belief that nothing is permanent.


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